X
 
CURLED UP

CURLED UP

14 X 20
All of these are pen & ink on paper

X
 
CABBAGE FAMILY

CABBAGE FAMILY

16 X 12
pen & ink on paper

X
 
COMMON VARIETY

COMMON VARIETY

12 X 14.5
pen & ink on paper

X
 
IN THE BRAMBLES

IN THE BRAMBLES

20 X 14
pen & ink on paper

X
 
FERNS UNFURLING

FERNS UNFURLING

20 X 14
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I?ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
LINE UP

LINE UP

20 X 14
pen & ink on paper

X
 
ORCHID ODDITIES

ORCHID ODDITIES

16 x 10
pen & ink on paper

X
 
NIGHT BLOOM

NIGHT BLOOM

12.5 x 19.5
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I?ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
NIGHT CONES

NIGHT CONES

16 X 12
pen & ink on paper

X
 
PAISLEY PLANT

PAISLEY PLANT

11 X 16
pen & ink on paper

X
 
NIGHT MOVES

NIGHT MOVES

20 X 14
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I’ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
PLANT PROFILE

PLANT PROFILE

11 X 15
pen & ink on paper

X
 
PENIS PLANT

PENIS PLANT

15 X 12
pen & ink on paper

X
 
PARADE

PARADE

20 X 16
pen & ink on paper

X
 
CACTUS SPIKES

CACTUS SPIKES

14 X 20
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘Ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
PLAID PLANT

PLAID PLANT

14 X 20
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
POOR HARVEST

POOR HARVEST

12 X 16
pen & ink on paper

X
 
STRIPED BLOOMS

STRIPED BLOOMS

16 X 12
pen & ink on paper

X
 
STALKING

STALKING

14 X 20
pen & ink on paper

X
 
PSYCHODELIC PLANTS

PSYCHODELIC PLANTS

14 X 20
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
SEQUESTERED

SEQUESTERED

20 X 14
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
TAKING A BREATH

TAKING A BREATH

14 X 20
All of these are pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I’ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
TULIP TALK

TULIP TALK

12 X 16
All of these are pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
TRIAD

TRIAD

16 X 12
pen & ink on paper

X
 
TINY VEINS

TINY VEINS

20 X 14
pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I‘ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here
X
 
VINE LAND

VINE LAND

20 X 14
pen & ink on paper

X
 
WILD WAVING

WILD WAVING

20 X 14
pen & ink on paper

X
 
BRANCHING OUT

BRANCHING OUT

12 X 16
All of these are pen & ink on paper

Those who know me personally realize that I seldom sit still since my hands and mind function on multiple layers, all simultaneously. One of the results of this habitude is briefly explored in this series?these imaginary botanical drawings are done in pen & ink, without planning or plotting. Though some of the sketches are triggered by actual plant life, others are solely the result of an overactive inspiration. I often add a geometrical or unexpected detail that warrant extra study. I’ve been creating these works on paper for 25 years, continuing their birth wherever I'm traveling or residing. By now, they number in the hundreds, stacked and silent.

For more on this series: click here

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